The best I’ve ever been taught the three-act structure of playwriting was by a a wonderful writer and teacher named Pat Cook at the BMI Musical Theatre Writing Workshop. Cook, recalling the lessons of a teacher from his own past, described it thus:
Act One: get the main character up a tree.
Act Two: throw rocks at him.
Act Three: if he comes down safely, comedy. If he falls to his death, tragedy.
At the risk of harping on an issue many readers of this site could care less about, this structure is being more or less abandoned by the modern dramatic writer. The three-act play is being replaced by the 65-minute “meditation” on a relevant theme. (How hard it is to be gay, violence in schools, sex scandals in politics!) Plays with beginnings, middles and ends – once referred to as “well-made plays” – are now considered old-fashioned.
John Fox is not the hot coordinator of the moment, the NFL’s equivalent of a meditation on a relevant theme. What has Adam Gase actually done? How much does Dan Quinn actually provide the ridiculously-talented Seahawks defense? Shhh! Who cares? These are the names of the moment and they excite owners and fans in the same manner any shiny toy in the window excites a child: they’re new!
Fox is not new. He is a veteran head coach, an established structure, an old-fashioned play. The Chicago Bears are his third act.
